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⭐ Dolphins & Art History ⭐
⭐ Dolphins & Art History ⭐

Rome meets Athens

Preserving ancient crafts

"Artemis and Lily"

The first in our collection of one-of-a-kind micro mosaic masterpieces

by Giorgo Damaskos and Luigina Rech exclusively for Athena Gaia

Serial Number: AG-DR-001

A ten year search

For the past 17 years we've partnered with the Damaskos family to bring you some of the finest gold craftsmanship in the world. His pieces are extraordinary, but perhaps the most magical thing is how they get made: entirely by hand and without molds. 

Most gold designers switched from hand-made to mold-made productions in the 1990's when labor costs started exceeding gold prices. Damaskos stubbornly refused to follow this trend and managed to scoop up some of the best remaining craftsmen in the wake of mass-layoffs, making him one of the few remaining designers of purely handmade gold jewelry in the world.

As a result, we are fighting alongside Damaskos to preserve the existence of an ancient craft that is now perilously close to extinction. But there are other endangered forms of art worth fighting for, and one in particular is micro-mosaic.

"Micro"? This composition is roughly the size of a postage stamp.

For over 10 years I've been looking for somebody to create genuine micro-mosaic art well enough to pair with Damaskos gold. At first I looked at artists in Turkey, but they were using a less detailed (lower resolution) technique with a black background that proved to be fragile. A related part of that search took me to the tiny nations of Georgia and Armenia (both homes to a great craftsmanship traditions) but ours seems to have vanished from these places some time ago.

Five years ago, I found an artist in Venice who worked with Murano glass shards to achieve a similar look. Although they looked promising at first, they were unwilling to work with anything other than their own gold molds (of all things) ... so that obviously wasn't going to work out. 

These "talent findings" were so far-and-few-between that I began thinking the art was lost to time until finally, I found Luigina Rech ... who is by all accounts the "real deal". In 1974 Luigina began studying under Vincenzo Renzi, the Master Mosaicist of the Vatican Studio. She fell in love with the craft and threw herself into it, incorporating expertise and artistry learned from other forms and developing her own sense of artistry along the way. Her works have found their way into exhibitions, cathedrals and private collections around the world (here is a list of awards an exhibitions).

It takes a certain kind of person to take a stand for beauty, art, and a lost craft. So it's no wonder that Giorgo Damaskos and Luigina Rech have recognized each other as worthy collaborators. Artemis and Lily is just the beginning so subscribe to our newsletter and stay tuned!

The craftsmen at work

At the Damaskos workshop, we started with the the shell from the "Heart Ropes Pendant" design but went with a thicker grade of gold to add rigidity to the back-plate. As with many "first run" pieces at the workshop, the work was completed by Giorgo Damaskos himself over the course of 7 days. This took place during covid restrictions, so we couldn't get it filmed, but we're pleased to show you an older video of the workshop at an earlier time. 

Click here for more info on Damaskos

Tesserae Magic: 1 square centimeter per month!

Once the gold shell was received in Rome, Luigina began selecting glass to pair with the base. An inexperienced decision could result in a false color tone pairing and ruin the production, so she traveled to the Orsoni furnace in Venice (after the closing of the Vatican furnaces, Orsoni became the world's sole producer of the expensive "mother color matte glass" used for mixing into production colors)Once the correct color has been chosen for each location in the mosaic, the glass gets heated, stretched, and diligently sliced into "piccole tesserae in pasta vitrea filata" (the tiny pieces that make up the mosaic). In many cases the melting and mixing process only serves to create a single "tessere". The process of creating this composition took 7 weeks.

Being that we were new to this part of the project, we asked Luigina to make this video for us while creating the piece:

The Production

$ 22,000.00
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